Difference between revisions of "The General Electric (song)"
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Song meaning as told by Jon: "That's a classic big city song, travelling and not noticing people and wondering why we don't notice people. It's talking to people who look grey and sick on a bus going home from who look like they've got no hope and no future, but who have so much potential inside to do whatever they want. 'Don't it feel good to be alive'? It fucking does. Make sure you relish every day that you're on this planet 'cause there's not long". (Real Groove, September 1999) | Song meaning as told by Jon: "That's a classic big city song, travelling and not noticing people and wondering why we don't notice people. It's talking to people who look grey and sick on a bus going home from who look like they've got no hope and no future, but who have so much potential inside to do whatever they want. 'Don't it feel good to be alive'? It fucking does. Make sure you relish every day that you're on this planet 'cause there's not long". (Real Groove, September 1999) | ||
| + | Also: "This is a bizarre piece of music. It actually deals a lot with drug addiction, but it's about how it destroys creativity, not about morals or integrity or anything. I'm not going to name names, but it was about someone I have seen be extremely creative, very naturally talented, end up being not so talented. All just by damaging themselves over and over and over again, and then going, 'Where did that inspiration go? What happened? What hole did I fall down?' That song is about the fact that you can damage yourself to the point where a part of yourself is now missing. A part of yourself that was integral to who you were is not there anymore. But it isn't just about that. It is also about what I was going through at thhe time with creativity... So I was talking to myself as well." Rip It Up, Aug-Sep 2010. | ||
=Lyrics= | =Lyrics= | ||
<pre> | <pre> | ||
You better run | You better run | ||
| − | + | As fast as you can | |
| − | ' | + | 'Cause this passenger's not a happy man |
| − | + | Start running just as fast as you can | |
You say, you need a friend | You say, you need a friend | ||
| − | + | Hey, well so do I | |
| − | + | But this passenger's just passing by | |
| − | + | Passengers just passing | |
| − | + | By | |
At your age and stage | At your age and stage | ||
| − | + | You should understand | |
| − | + | But you don't care, you got a master plan | |
| − | + | Fuck, fuck, fuck 'em all and take what you can | |
A freezing cold stare | A freezing cold stare | ||
and a flick in the eye | and a flick in the eye | ||
| − | + | Passengers just passing by | |
| − | + | Passengers just passing by | |
| − | + | Passengers just passing by | |
| − | To walk on water you'd sink in the ice | + | To walk on water you'd sink in the ice |
| + | To walk on water you'd sink in the ice | ||
| + | To walk on water you'd sink in the ice | ||
| + | To walk on water you'd sink in the ice | ||
| − | You're holding everything inside, you're holding everything inside | + | You're holding everything inside, you're holding everything inside |
| − | Don't it feel good just to be alive still holding everything inside | + | You're holding everything inside, you're holding everything inside |
| + | Don't it feel good just to be alive, still holding everything inside | ||
You don't know what you want | You don't know what you want | ||
| − | + | So you take what you can | |
| − | + | Still don't make you a happy man | |
| − | + | Start running just as fast as you can | |
A freezing cold stare | A freezing cold stare | ||
| − | + | And a flick in the eye | |
| − | + | Passengers just passing by | |
| − | + | Passengers just passing by | |
| − | To walk on water you'd sink in the ice | + | To walk on water you'd sink in the ice |
| − | + | To walk on water you'd sink in the ice | |
| − | + | For all things gained there's a sacrifice | |
| + | To walk on water you gotta sink in the ice | ||
| − | You're holding everything inside, you're holding everything inside | + | You're holding everything inside, you're holding everything inside |
| − | + | You're holding everything inside, you're holding everything inside | |
| − | + | And don't it feel good just to be alive, | |
| − | + | Don't it feel good just to be alive | |
| + | You're still holding everything inside | ||
And you don't know what you want, do ya? | And you don't know what you want, do ya? | ||
| − | + | Know what you want? | |
| − | + | Do ya | |
| − | + | Know what you want | |
| − | + | What you want? | |
| − | You're holding everything inside, you're holding everything inside | + | You're holding everything inside, you're holding everything inside |
| + | You're holding everything inside, you're holding everything inside | ||
[Youre still holding] | [Youre still holding] | ||
| − | + | Don't it feel good just to be alive | |
| − | + | Don't it feel good just to be alive | |
| − | + | Don't it feel good | |
| − | + | You're still holding | |
| + | Everything inside | ||
| + | Everything inside | ||
</pre> | </pre> | ||
| Line 78: | Line 88: | ||
==Guitar== | ==Guitar== | ||
<pre> | <pre> | ||
| − | [[Standard Shihad Tuning]] | + | [[Standard Shihad Tuning]] applies |
CHORDS USED | CHORDS USED | ||
| Line 107: | Line 117: | ||
(with killer distortion, Jon uses MT-2 (Boss Metal Zone), | (with killer distortion, Jon uses MT-2 (Boss Metal Zone), | ||
| − | with all knobs on full except | + | with all knobs on full except for the volume, which is down) |
------------------------------------------------------------ | ------------------------------------------------------------ | ||
| Line 118: | Line 128: | ||
GUITAR 2 | GUITAR 2 | ||
| − | Phil flicks the open 2 higher strings and | + | Phil flicks the open 2 higher strings and toggles with pick up |
selector, with bridge pick up up full, neck pick up all the way | selector, with bridge pick up up full, neck pick up all the way | ||
down with phase (phil uses MXR Phase 90) | down with phase (phil uses MXR Phase 90) | ||
| Line 436: | Line 446: | ||
bassists can figure it out for yourselves. | bassists can figure it out for yourselves. | ||
| − | D | + | D-------------------------------------- |
| − | A | + | A-------------------------------------- |
D---------------------------------0---- | D---------------------------------0---- | ||
G--3-------------5--------------------- | G--3-------------5--------------------- | ||
Latest revision as of 09:35, 17 December 2010
| Name | The General Electric |
| Album/single | The General Electric |
| Length | 5.45 (album version), 4.02 (radio edit) |
| Alternative titles | TGE (Setlist) |
| First live performance | |
| Recorded | 2000 |
| Writer/composer | Shihad |
| Producer | GGGarth |
Additional Information
Song meaning as told by Jon: "That's a classic big city song, travelling and not noticing people and wondering why we don't notice people. It's talking to people who look grey and sick on a bus going home from who look like they've got no hope and no future, but who have so much potential inside to do whatever they want. 'Don't it feel good to be alive'? It fucking does. Make sure you relish every day that you're on this planet 'cause there's not long". (Real Groove, September 1999)
Also: "This is a bizarre piece of music. It actually deals a lot with drug addiction, but it's about how it destroys creativity, not about morals or integrity or anything. I'm not going to name names, but it was about someone I have seen be extremely creative, very naturally talented, end up being not so talented. All just by damaging themselves over and over and over again, and then going, 'Where did that inspiration go? What happened? What hole did I fall down?' That song is about the fact that you can damage yourself to the point where a part of yourself is now missing. A part of yourself that was integral to who you were is not there anymore. But it isn't just about that. It is also about what I was going through at thhe time with creativity... So I was talking to myself as well." Rip It Up, Aug-Sep 2010.
Lyrics
You better run As fast as you can 'Cause this passenger's not a happy man Start running just as fast as you can You say, you need a friend Hey, well so do I But this passenger's just passing by Passengers just passing By At your age and stage You should understand But you don't care, you got a master plan Fuck, fuck, fuck 'em all and take what you can A freezing cold stare and a flick in the eye Passengers just passing by Passengers just passing by Passengers just passing by To walk on water you'd sink in the ice To walk on water you'd sink in the ice To walk on water you'd sink in the ice To walk on water you'd sink in the ice You're holding everything inside, you're holding everything inside You're holding everything inside, you're holding everything inside Don't it feel good just to be alive, still holding everything inside You don't know what you want So you take what you can Still don't make you a happy man Start running just as fast as you can A freezing cold stare And a flick in the eye Passengers just passing by Passengers just passing by To walk on water you'd sink in the ice To walk on water you'd sink in the ice For all things gained there's a sacrifice To walk on water you gotta sink in the ice You're holding everything inside, you're holding everything inside You're holding everything inside, you're holding everything inside And don't it feel good just to be alive, Don't it feel good just to be alive You're still holding everything inside And you don't know what you want, do ya? Know what you want? Do ya Know what you want What you want? You're holding everything inside, you're holding everything inside You're holding everything inside, you're holding everything inside [Youre still holding] Don't it feel good just to be alive Don't it feel good just to be alive Don't it feel good You're still holding Everything inside Everything inside
Tab
Guitar
[[Standard Shihad Tuning]] applies CHORDS USED Dsus2 Csus2 G --0------3----3-- --3------3----3-- --2------0----0-- --0------2----0-- ---------3----X-- --------------3-- MAIN RIFF --------- ----3--3---------3--3------ ----3--3---------3--3------ ----0--0---------0--0------ 2---0--0--2---2--0--0---2-- 2---X--X--2---2--X--X---2-- 0---3--3--0---0--3--3---0-- VERSE FIGURE ------------ GUITAR 1 (with killer distortion, Jon uses MT-2 (Boss Metal Zone), with all knobs on full except for the volume, which is down) ------------------------------------------------------------ ------------------------------------------------------------ ------------------------------------------------------------ ------------------------------------------------------------ 11-11-11-11-11-11-11-11-10-10-10-10-10-10-10-10------------- ------------------------------------------------------------ GUITAR 2 Phil flicks the open 2 higher strings and toggles with pick up selector, with bridge pick up up full, neck pick up all the way down with phase (phil uses MXR Phase 90) --(0)-------------------------------- --(0)-------------------------------- ------------------------------------- ------------------------------------- ------------------------------------- ------------------------------------- ------------------------------------- --5---5--5-5--5--5--5---5-5---------- ------------------------------------- ------------------------------------- ------------------------------------- -------------------------------------
Drums
C|----------------|----------------|----------------|----------------|
H|----------------|----------------|----------------|----------------|
S|----------------|----------------|----------------|----------------|
B|----------------|----------------|----------------|----------------|
C|x---------------|----------------|x---------------|----------------|
H|--X-X-X-X-X-X-X-|X-X-X-X-X-X-X-X-|--X-X-X-X-X-X-X-|X-X-X-X-X-X-X-X-|
S|----o-------o---|----o-------o---|----o-------o---|----oo---o--o--f|
B|o-o---oo-o-o-o-o|o-o---oo-o-o-o-o|o-o---oo-o-o-o-o|o-o---oo--oo-o--|
VERSE ONE
C|x---------------|----------------|----------------|----------------|
H|--x-x-x-x-x-x-x-|x-x-x-x-x-x-x-x-|x-x-x-x-x-x-x-x-|x-x-x-x-x-x-x-x-|
S|--o-o----o-o----|--o-o----o-o---o|--o-o----o-o----|--o-o----o-o---o|
B|o----o-o-----o-o|o----o-o-----o--|o----o-o-----o-o|o----o-o-----o--|
|-------2x-------|
C|----------------|----------------|x---------------|
H|x-x-x-x-x-x-x-x-|x-x-x-x-x-x-x-x-|----------------|
S|--o-o----o-o----|--o-o----o-o---f|----------------|
B|o----o-o-----o-o|o----o-o-----o--|o---------------|
C|X---------------|----------------|x---------------|----------------|
H|--X-X-X-X-X-X-X-|X-X-X-X-X-X-X-X-|--X-X-X-X-X-X-X-|X-X-X-X-X-X-X-X-|
S|----o-------o---|----o-------o---|----o-------o---|----o----o--o--f|
B|o-o---oo-o-o-o-o|o-o---oo-o-o-o-o|o-o---oo-o-o-o-o|o-o---oo--oo-o--|
VERSE 2
|-------2x-------|
C|x---------------|----------------|----------------|----------------|
H|--x-x-x-x-x-x-x-|x-x-x-x-x-x-x-x-|x-x-x-x-x-x-x-x-|x-x-x-x-x-x-x-x-|
S|--o-o----o-o----|--o-o----o-o----|--o-o----o-o---o|--o-o----o-o----|
B|o----o-o-----o-o|o----o-o-----o-o|o----o-o-----o--|o----o-o-----o-o|
C|----------------|----------------|----------------|
H|x-x-x-x-x-x-x-x-|x-x-x-x-x-x-x-x-|x-x-x-x-x-x-X-X-|
S|--o-o----o-o---o|--o-o----o-o----|--o-o----o-o---f|
B|o----o-o-----o--|o----o-o-----o-o|o----o-o-----o--|
PRECHORUS
|-------2x-------|
C|x---------------|----------------|x---------------|----------------|
H|--X-X-X-X-X-X-X-|X-X-X-X-X-X-X-X-|--X-X-X-X-X-X-X-|X-X-X-X-X-X-X-X-|
S|----o-------o---|----o----o--o---|----o-------o---|----o-------o---|
B|o-o---oo-o-o-o-o|o-o---oo---o-o-o|o-o---oo-o-o-o-o|o-o---oo-o-o-o-o|
C|x---------------|
H|--X-X-X-X-X-X-X-|
t|---------------o|
S|----oo---o---oo-|
B|o-o---oo--oo----|
CHORUS
Ch|----------------|------------x---|----------------|------------x---|
C |x---------------|--------------xx|----------------|--------------xx|
Rd|--x-x-x-x-x-x-x-|x-x-x-x-x-x-----|--x-x-x-x-x-x-x-|x-x-x-x-x-x-----|
t |----------------|---------o------|---------o------|---------o------|
S |----o----o--o---|-o--o-------oo--|----o-------o---|-o--o-------oo--|
B |o-oo--oo--oo--oo|--oo--oo--oo--oo|--oo--oo--oo--oo|--oo--oo--oo--oo|
Ch|----------------|------------x---|----------------|------------x---|
C |----------------|--------------xx|----------------|--------------xx|
Rd|--x-x-x-x-x-x-x-|x-x-x-x-x-x-----|--x-x-x-x-x-x-x-|x-x-x-x-x-x-----|
t |---------o------|---------o------|---------o------|---------o------|
S |----o-------o---|-o--o-------oo--|----o-------o---|-o--o-------oo--|
B |--oo--oo--oo--oo|--oo--oo--oo--oo|--oo--oo--oo--oo|--oo--oo--oo--oo|
C |----------------|----------------|x---------------|----------------|
Rd|--x-x-x-x-x-x-x-|x-x-x-x-x-x-X---|--X-X-X-X-X-X-X-|X-X-X-X-X-X-X-X-|
t |---------o------|---------o------|----------------|----------------|
S |----o-------o---|-o--o-------o--f|----o-------o---|----o-------o---|
B |--oo--oo--oo--oo|--oo--oo--oo-o--|o-o---oo-o-o-o-o|o-o---oo-o-o-o-o|
C |x---------------|x---------------|
Rd|--X-X-X-X-X-X-X-|----------------|
S |----o-------o--f|----------------|
B |o-o---oo-o-o-o--|----------------|
VERSE 3
|-------2x-------|
C|x---------------|----------------|----------------|
H|--x-x-x-x-x-x-x-|x-x-x-x-x-x-x-x-|x-x-x-x-x-x-x-x-|
S|--o-o----o-o----|--o-o----o-o----|--o-o----o-o---o|
B|o----o-o-----o-o|o----o-o-----o-o|o----o-o-----o--|
|-------2x-------|
C|----------------|----------------|
H|x-x-x-x-x-x-x-x-|x-x-x-x-x-x-x-x-|
S|--o-o----o-o----|--o-o----o-o---f|
B|o----o-o-----o-o|o----o-o-----o--|
PRE CHORUS
|-------2x-------|
C|x---------------|----------------|x---------------|----------------|
H|--X-X-X-X-X-X-X-|X-X-X-X-X-X-X-X-|--X-X-X-X-X-X-X-|X-X-X-X-X-X-X-X-|
t|----------------|----------------|----------------|----------------|
S|----o-------o---|----o----o--o---|----o-------o---|----o-------o---|
B|o-o---oo-o-o-o-o|o-o---oo---o-o-o|o-o---oo-o-o-o-o|o-o---oo-o-o-o-o|
C|----------------|
H|X-X-X-X-X-X-X-X-|
t|---------------o|
S|----oo---o---oo-|
B|o-o---oo--oo----|
CHORUS
Ch|----------------|------------x---|----------------|------------x---|
C |x---------------|--------------xx|----------------|--------------xx|
Rd|--x-x-x-x-x-x-x-|x-x-x-x-x-x-----|--x-x-x-x-x-x-x-|x-x-x-x-x-x-----|
t |---------o------|---------o------|---------o------|---------o------|
S |----o-------o---|-o--o-------oo--|----o-------o---|-o--o-------oo--|
B |o-oo--oo--oo--oo|--oo--oo--oo--oo|--oo--oo--oo--oo|--oo--oo--oo--oo|
Ch|----------------|------------x---|----------------|------------x---|
C |----------------|--------------xx|----------------|--------------xx|
Rd|--x-x-x-x-x-x-x-|x-x-x-x-x-x-----|--x-x-x-x-x-x-x-|x-x-x-x-x-x-----|
t |---------o------|---------o------|---------o------|---------o------|
S |----o-------o---|-o--o-------oo--|----o-------o---|-o--o-------oo--|
B |--oo--oo--oo--oo|--oo--oo--oo--oo|--oo--oo--oo--oo|--oo--oo--oo--oo|
Ch|----------------|------------x---|----------------|------------x---|
C |----------------|--------------xx|----------------|--------------xx|
Rd|--x-x-x-x-x-x-x-|x-x-x-x-x-x-----|--x-x-x-x-x-x-x-|x-x-x-x-x-x-----|
t |---------o------|---------o------|---------o------|---------o------|
S |----o-------o---|-o--o-------oo--|----o-------o---|-o--o-------oo--|
B |--oo--oo--oo--oo|--oo--oo--oo--oo|--oo--oo--oo--oo|--oo--oo--oo--oo|
Ch|------------x---|
C |--------------xx|----------------|
Rd|--x-x-x-x-x-----|--x-x-x-x-x-X---|
t |---------o------|---------o------|
S |----o-------oo--|----o-------o--f|
B |--oo--oo--oo--oo|--oo--oo--oo-o--|
BRIDGE
|------14x-------|
C|x---------------|----------------|----------------|
H|--x-x-x-x-x-x-x-|x-x-x-x-x-x-x-x-|x-x-x-x-x-x-x-x-|
S|--@-@----@-@----|--@-@----@-@----|--@-@----@-@---f|
B|o----o-o-----o-o|o----o-o-----o-o|o----o-o-----o--|
C|x---------------|x---------------|x---------------|x-x-------------|
H|--X-X-X-X-X-X-X-|--X-X-X-X-X-X-X-|--X-X-X-X-X-X-X-|----X-X-X-X-X-X-|
S|--o-o----o-o---f|--o-o----o-o---f|--o-o----o-o---f|--o-o----o---o-f|
B|o----o-o-----o--|o----o-o-----o--|o----o-o-----o--|o----o-o---o----|
C|x---------------|x---------------|x---------------|x---------------|
H|--X-X-X-X-X-X-X-|--X-X-X-X-X-X-X-|--X-X-X-X-X-X-X-|----------------|
S|--o-o----o-o---f|--o-o----o-o---f|--o-o----o-o---f|----------------|
B|o----o-o-----o--|o----o-o-----o--|o----o-o-----o--|o---------------|
CHORUS
C |x---------------|------------x--x|----------------|------------x--x|
Rd|--x-x-x-x-x-x-x-|x-x-x-x-x-x-----|x-x-x-x-x-x-x-x-|x-x-x-x-x-x-----|
t |----------------|---------o------|---------o------|---------o------|
S |----o----o--o---|-o--o-------oo--|----o-------o---|-o--o-------oo--|
B |o-oo--oo--oo--oo|--oo--oo--oo--oo|--oo--oo--oo--oo|--oo--oo--oo--oo|
C |x---------------|------------x--x|----------------|------------x--x|
Rd|--x-x-x-x-x-x-x-|x-x-x-x-x-x-----|x-x-x-x-x-x-x-x-|x-x-x-x-x-x-----|
t |---------o------|---------o------|---------o------|---------o------|
S |----o-------o---|-o--o-------oo--|----o-------o---|-o--o-------oo--|
B |--oo--oo--oo--oo|--oo--oo--oo--oo|--oo--oo--oo--oo|--oo--oo--oo--oo|
C |x---------------|------------x--x|----------------|------------x--x|
Rd|--x-x-x-x-x-x-x-|x-x-x-x-x-x-----|x-x-x-x-x-x-x-x-|x-x-x-x-x-x-----|
t |---------o------|-o--------------|---------o------|----------------|
S |----o-------o---|----o----o--oo--|----o-------o---|-o--o----o--oo--|
B |--oo--oo--oo--oo|--oo--oo--oo--oo|--oo--oo--oo--oo|--oo--oo--oo--oo|
C |----------------|x---------------|
Rd|--x-x-x-x-x-x-x-|--x-x-x-x-x-X---|
t |---------o------|---------o------|
S |----o-------o---|----o-------o--f|
B |--oo--oo--oo--oo|--oo--oo--oo-o--|
ENDING
C|x---------------|x---------------|x---------------|x---------------|
H|--X-X-X-X-X-X-X-|--X-X-X-X-X-X-X-|--X-X-X-X-X-X-X-|----------------|
S|----o-------o---|----o-------o---|----o-------o--f|----------------|
B|o-o---oo-o-o-o-o|o-o---oo-o-o-o-o|o-o---oo-o-o-o--|----------------|
Bass
''Tabbed by: Peter Seay, (Tyferra@Hotmail.com)'' I would firstly like to point out that I am not a Bass player, and also that this is my first Tab, so things may not be truly accurate, but I am a huge Shihad fan, so I will be trying my best. Tuning: I have put this tab in Drop D tuning, but I imagine Karl uses the standard Shihad tuning, (D,G,C,F) It would be fairly easy to convert this into SST, but I find it’s easier to tune one string then four, (or six if you swing that way.) Bass starts in the first ‘chorus’. So this is after Jon sings his first “…passenger’s just passing… by…’ and after the very first guitar riff. Listen to the song to get the right rhythm. It’s fairly easy. Chorus D----0---3-3--0--------0---3-3--0-------0-0---3-3--0----0---3-3—0 A-------------------------------------------------------------------------- D-------------------------------------------------------------------------- G-------------------------------------------------------------------------- D----0-0---3-3--0----0---3-3--0 A----------------------------------- D----------------------------------- G----------------------------------- Verse “You don’t know what you want so you take what you can… D--0--3--3----0---------------0--3--3----0----------------------------------- A-------------------3/5----------------------------5---3----5/6/5------------- D-------------------------------------------------------------------------------- G-------------------------------------------------------------------------------- “Start running just as fast as you can” D--0--3--3----0-----------------0--3--3---0---------------------------------- A--------------------3/5----------------------------5--0---3---0—3/5------- D-------------------------------------------------------------------------------- G-------------------------------------------------------------------------------- “A freezing cold stare and a flick in the eye, passenger’s just…” D--0--3--3----0---------------0--3--3----0----------------------------------- A-------------------3/5----------------------------5---3----5/6/5------------- D-------------------------------------------------------------------------------- G-------------------------------------------------------------------------------- “Passenger’s just passing by!!” D--0--3--3----0------------------------ A----------------------3/5-------------- D---------------------------------------- G---------------------------------------- -This next part is the “…you’re holding everything inside…” part. D-----------------------------------------------------------------------0-------- A---3-3-3-3-3-3-3-3-3-3-3-3-3-0-1-1-1-1-1-1-1-1-1-1-1-1-1----------- D--------------------------------------------------------------------------------- G--------------------------------------------------------------------------------- D--3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-------------------- A--------------------------------------------------------------------------------- D--------------------------------------------------------------------------------- G--------------------------------------------------------------------------------- Continue until it goes back to the chorus, or alternatively, the bridge. Bridge (Remember to hold that last long note.) -This is the part I’m not really sure about, as I did this on a normal guitar, but you bassists can figure it out for yourselves. D-------------------------------------- A-------------------------------------- D---------------------------------0---- G--3-------------5--------------------- ''-Then comes the big smash-feedback-messed-up bit. This is just a mix between a bit of the verse and a bit of the chorus.''
